TITLE:

 

IAGO’S DISSONANT VOICE: RHETORIC AND REALITY IN OTHELLO

   

Author:

Lorena Laureano Domínguez

Institution:

Universidad de Huelva

E-mail:

lorena_laureano@hotmail.com     


ABSTRACT


The present paper examines Shakespeare’s Othello as a  reflection on the nature of language and rhetoric. The tragedy problematizes the relationship between language and reality, and questions the validity and ethical implications of the system of rhetoric basically through the enigmatic figure of Iago.  The paper analyzes the rhetorical dimension of the villain’s discourse and the way it operates on the rest of the characters’ minds, in an attempt to discover the source of the persuasive power of his peculiar and unconventional handling of rhetoric. It explores the rhetorical notion of enargeia or evidentia as central for the understanding of Iago’s success in manipulating reality, and  analyzes the rhetorical nature of his revenge. The play shows, in this way, the power of rhetoric and its most dreadful aftermath, and  reveals the susceptibility of the human mind to be changed by words.  

 

PANEL MEDIEVAL AND RENAISSANCE STUDIES