Morales Ladrón, Marisol, ed. Postcolonial and Gender Perspectives in Irish Studies . A Coruña: Netbiblo, 2007. ISBN: 978-0-9729892-6-8.
This book represents an attempt to tackle questions related to fragmented and often conflicting ideologies within Irish studies. Although a collective outcome, with contributions in English and Spanish, its unifying concern has been the appliance of postcolonial and gender perspectives to the analysis of Irish literature (prose, drama and verse) and cinema, as well as to the aesthetic production of both the Republic of Ireland and Northern Ireland. Along the volume, while some authors have chosen to delve into the broad theoretical debate concerning the position of Irish studies within postcolonial and feminist theories, others offer detailed examinations of specific literary pieces and authors that fit in this panorama. All in all, the chapters are wide and diverse enough to trace a spatial and temporal map of the evolution of these paradigms within contemporary Irish studies, North and South of the border.
ÍNDICE
Marisol Morales Ladrón, “Prólogo: Postcolonialismo y género en los estudios irlandeses”
Isabel Carrera, “La teorización postcolonial de Irlanda”
Asier Altuna García de Salazar, “The Irish Language and Issues on Post-colonialism: an Approach”
Manuela Palacios González, “Northern Ireland: The Poetry In Between”
Luz Mar González Arias, “ Acts of Union : El discurso del amor en el texto poético de autoras irlandesas (1980-2005)”
Esther Aliaga Rodrigo, “Glenn Patterson and Robert McLiam Wilson: Two Contemporary Northern Irish Writers and the Question of National Identity”
María Amor Barros del Río, “Espacios femeninos en la novela de la República escrita por mujeres”
Tamara Benito de la Iglesia, “The Anti/Post-colonial Trace in Some Stories of the Northern Irish Troubles”
Margarita Estévez Saá, “‘The Seanchai ’ : Short Fiction by Irish Women Writers from the Republic”
Mª del Mar González Chacón, “La compañía Charabanc (Marie Jones), Anne Devlin y Christina Reid: estudio postcolonial del teatro norirlandés contemporáneo”
Rosana Herrero Martín, “Infantilising Staging of Postcolonial Adulthood: A Study of Tom Murphy’s A Crucial Week in the Life of a Grocer’s Assistant and Sebastian Barry’s Boss Grady’s Boys ”
Rosa González Casademont, “Postcolonial Ireland on screen”